So Kratos manages
to get away with a completely functional ship and after a few restless nights
and a couple of threesomes, Kratos decides he has had enough. Ten years of
serving the gods has gained him nothing, and he demands satisfaction. He storms
onto the main deck, charges through the rain, and starts bellowing at a statue
of Athena (his guiding god). The statue animates and
conveys Athena’s voice and Kratos’ final task. He must take down Ares, the god
of war, who is laying siege to Athens .
Since Zeus has forbidden the gods from warring on each other directly, it must
be Kratos that does the wet work. Only in achieving this impossible charge will
his overwhelming past be forgiven.
O, Kratos. |
This small scene
lays the groundwork for the rest of the game, and communicates a few important ideas.
Firstly, the player is shown this spooky animation of the statue, through which
Athena speaks. The fact that Athena
doesn’t come down to speak to Kratos directly tells us that there is a defined
relationship, a disconnect, between the gods and the mortals that I’ll talk about later. Also,
there’s this matter of dealing with Ares (the 400 1/2 foot tall Godzilla). The
relationship between Kratos and Ares has yet to be explained, but it is one of
the focuses of the game. Then there’s the recurring business of Kratos’ past, which Kratos wants to erase.
Something to pay
special attention to is how Kratos reacts when he finds out this will be his
final task. He was consumed by rage before, but now he is docile and, from the
sound of his voice, desperate as if on the verge of madness. He just looks so
sad and lost, standing there in the rain mumbling to himself. O, Kratos.
So after a few
more threesomes, Kratos lands in Athens
to save it from an angry war god. Because he is this much of a man, this leads
me to believe that this kind of thing might be his everyday ritual. If you haven't realized it yet, the game tries really hard to push Kratos' gargantuan manliness through the sky (that is, if he's laying on his back). Anyway,
Kratos begins his journey across the sacked city. Ares' undead minions
permeate all of Athens . After
grappling with a few hell-soldiers, Kratos comes across what I believe to be
his strangest foe.
"What the hell are you?!" |
Lo, the insidious
mechano-cyclops, complete with its trusty extendo-mace, falls from the sky like
an bizarre vision of Chris Farley from Beverly Hills Ninja. Every time I play God of War, I find myself wondering, what the hell is this
thing? I know that the Greeks in the God of War universe have some crazy
understanding of technology that nobody can fathom, but damn. You’d think this
unholy thing would come later at a more appropriate time (like Pandora’s Temple where technology is omnipresent ),
but instead it is the first Cyclops the player encounters. What's worse is that there are relatively normal cyclopes later on. This thing is unlike
almost any other creature Kratos comes across in his adventure.
After the player
deals with this…thing, Kratos navigates the strange passageways of Athens , which is constructed in such a way
that only people like Kratos can get through. At points, the player might
notice how un-ergonomic this city is, at least, if you stand back and think about it. It begs the question; what sort of people
live here? There’s a room filled with colossal stacks of boxes, and the only
other exit, besides the one you entered through, is carved out at the top of a 50-foot
wall. Once Kratos arrives at the residential side of town, you’ll find that
half of the prison-cell homes are stacked on top of one another. From all of
this I must assume that Athens is
where the original Globetrotters came from. Or maybe there could have
been a lot of Greek-Animal love consummation that allowed them to develop super homo-bestial jumping
abilities. Considering all the minotaur and
satyrs running amok, this twisted notion may not be far off. Either way, you’d think a city built to represent intelligence and culture would
come up with something more practical.
Screw the stairs! |
Nitpicks aside,
there are some story elements to look at in Athens .
At this point we know that Kratos is a Spartan. The Spartans were Greeks whose
entire culture was shaped around the concept of war. Athens ,
on the other hand, was a city famous for its culture, innovations, and general
intellect. Here, there is a clash of ideas as Kratos, a Spartan, mingles with
war-torn Athens . At one point, to
continue his quest, he topples a statue holding a scroll (forgoing intellect,
much?). He even works for Athena,
the goddess of wisdom, as if she’s his reform officer. From this knowledge it
could be said that Kratos is grappling with his need for destruction, and the
option of holding back his fury and taking a more civilized route.
This idea comes up
later when he reaches the oracle of Athens .
After rescuing the oracle, she looks into his mind and reveals his past. She finds
a history of bloodlust and conquest, as well as the secrets he didn’t want
dug up.
Halp! |
You see, there was
a great battle between an army of barbarians and Kratos’ forces. Although
Kratos was indeed powerful, the numbers he stood against were too great. Just
before he was to be felled by the barbarian king, Kratos made a desperate plea
to Ares. Kratos swore that if Ares would destroy his enemies, then Kratos’ life
would be his. The War god took Kratos up on his offer, and sent down the Blades
of Chaos (Kratos' iconic weapons). After their chains fused with the flesh of Kratos’ arms, he laid waste
to all who opposed him.
After the battle,
however, Kratos was Ares' tool; to be used and abused. Ares eventually
sent Kratos and his forces to raid an Athenian village. They proceeded to
slaughter everyone in the village for worshipping Athena. Eventually Kratos came upon a particular house. Before entering he was warned not to by the local old lady. Ignoring her, he readily killed all those inside, and after the
fog of Ares’ control dissipated, he found his wife and daughter dead upon the
floor. The elderly woman then bound the ashes of Kratos’ family to his flesh,
rendering him ghostly white, to serve as a reminder of his actions to all. In general, I find this whole bit awesome. What hubris!
I really can't imagine how the honeymoon went over. |
While this
cut-scene is playing we see Kratos’ wife holding their frightened child. Just
before the great battle where Kratos fell, she demanded that he bring his lust
for war to an end. This brings us back to the idea that Kratos is struggling
with his need for conquest and the idea of sheathing his blades. Despite his
ripping up everything that crosses his path, this is indeed a conflict in his
character. This idea is one of a scant
few that loosely hold the series together. What is it that Kratos actually
needs? At this point we now know that this quest is not only about his revenge,
it is about his absolution.
With his past laid
out, there’s one issue I’d like to bring to light. While Kratos is storming
through Athens , toward the end of
the section, he comes across some sort of noble woman. She just so happens to
be another person who knows the gory details of Kratos’ past deeds. After she
panics and bolts away, Kratos shouts for her to wait. The thing is, Kratos
doesn’t sound enraged, or as if he
wants her dead (something the sequels would make the player expect). He sounds
as though he could be either concerned or sad, even. Here we get to see Kratos’
remorse for what he’s done. He doesn’t want to be seen as the monster everyone
knows him as. When Kratos finally catches up with the woman at the top of a
balcony, she feels cornered and accidentally falls to her death. This whole
situation adds to the price of Kratos’ mistakes. --
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